{"title":"All Objects","description":"","products":[{"product_id":"scale","title":"Scale","description":"\u003cp\u003eI am a set of tools for measuring things: millimetres, inches and angles, with a place to rest your pencil while you work.\u003c\/p\u003e\n\u003cp\u003eI’m made in stone, brass and glass, and intentionally given a little more weight than I strictly need, so I stay on your desk instead of disappearing into a drawer.\u003c\/p\u003e\n\u003cp\u003eWhen the work is done, I reassemble. It’s a tangram with a day job.\u003c\/p\u003e\n\u003cp\u003eUse me to measure something, or just leave me be, all pretty little bits.\u003c\/p\u003e\n\u003ch4\u003eCreator’s Notes\u003c\/h4\u003e\n\u003cp\u003eWe took a few ordinary desk tools, a ruler, a protractor and a pencil holder, and tried to compose them within a square.\u003c\/p\u003e\n\u003cp\u003eEach piece is cut by waterjet, then assembled and fitted by hand, with the markings inlaid in pigment rather than printed on. Stone, brass and glass each expand, resist and finish differently. Getting them to fit together with no gaps and no wobble was a true test of precision and craft.\u003c\/p\u003e\n\u003cp\u003eThe pieces are miniature in form but deliberately heavy. \u003cem\u003eKota\u003c\/em\u003e stone and \u003cem\u003eJaisalmer\u003c\/em\u003e sandstone are architectural materials, usually laid as floors and walls. Here they are cut down small enough to pick up and use every day.\u003c\/p\u003e\n\u003ch4\u003eMaterials\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003eKota\u003c\/em\u003e stone, yellow \u003cem\u003eJaisalmer\u003c\/em\u003e sandstone, brass, glass\u003c\/p\u003e\n\u003ch4\u003eTotal pieces\u003c\/h4\u003e\n\u003cp\u003e5\u003c\/p\u003e\n\u003ch4\u003eInstructions for use\u003c\/h4\u003e\n\u003cp\u003eRight-angle guide: Use the centre of my inner arc to check or draw a true right angle. I have centimetres on one edge, inches on the other, and a centre dot for finding midpoints.\u003c\/p\u003e\n\u003cp\u003eProtractor: Align my flat edge with your baseline. My markings go up to 90° in 10° steps.\u003c\/p\u003e\n\u003cp\u003eFence ruler: Rest my raised arm against your page or desk to keep me steady while you draw. I have centimetres on one edge and inches on the other.\u003c\/p\u003e\n\u003cp\u003eGlass ruler: I have centimetres on one edge and inches on the other. I also leave a little yellow glow on your page.\u003c\/p\u003e\n\u003cp\u003ePencil holder: I hold a pencil upright and within reach, with centimetres on one edge and inches on the other.\u003c\/p\u003e\n\u003cp\u003eMy markings are meant for everyday measuring, not precision work.\u003c\/p\u003e","brand":"SHED","offers":[{"title":"Default Title","offer_id":50576415883426,"sku":null,"price":15000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/7474\/6530\/files\/scale-01.jpg?v=1791445602"},{"product_id":"digit","title":"Digit","description":"\u003cp\u003eI am a calendar, but I come without numbers. You make those yourself. Marble and stone triangles find their way onto my magnetic grid, building numerals the way a digital clock does — only slower, and much more satisfying. There are days. There are months. There are also a few triangles with no job at all. That’s fine. They’re waiting for you to give them one.\u003c\/p\u003e\n\u003ch4\u003eCreator’s Notes\u003c\/h4\u003e\n\u003cp\u003eWe wanted to indulge in building small, simple triangular compositions every day. The digital clock gave us the language: blocky, segmented numerals we’ve all grown up reading.\u003c\/p\u003e\n\u003cp\u003eThe ‘corner’ on the front face is built in wood marquetry, laid triangle by triangle. Each of its three faces uses woods chosen for their tone, so light seems to fall differently on each side: one bright, one in half-shade, one in shadow. Look at it straight on and it reads as the corner of a box pushing out towards you. It isn’t. It’s a cavity, folding inward. Beneath the two layers of wood sits a mild steel sheet that makes the surface magnetic.\u003c\/p\u003e\n\u003cp\u003eEach stone triangle is a sandwich: a magnet set between two slices of colourful stone, bonded together and usable on both sides. Getting enough pull through stone and wood, while keeping the magnet entirely hidden, was a reach. What we were chasing was the snap, that small, decisive click when stone meets wood. It took us longer to get there than we’d like to admit.\u003c\/p\u003e\n\u003cp\u003eThis is a collectible in the truest sense, with many materials coming together. There was no precedent for a ‘calendar’ like this, so we invented everything from scratch, one prototype at a time (we went through five or six before we got here).\u003c\/p\u003e\n\u003cp\u003eWe wanted to celebrate these glorious colours and bring stunning stones and woods into everyday life.\u003c\/p\u003e\n\u003ch4\u003eMaterials\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eCorner:\u003c\/strong\u003e teakwood, \u003cem\u003eshirish\u003c\/em\u003e wood, \u003cem\u003eshisham\u003c\/em\u003e, \u003cem\u003esevan\u003c\/em\u003e wood, maple wood, \u003cem\u003ebadaami\u003c\/em\u003e wood, purpleheart wood, mild steel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStone triangles:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGreen \u003cem\u003eKesariyaji\u003c\/em\u003e marble, white \u003cem\u003eMakrana\u003c\/em\u003e marble, red sandstone, yellow sandstone, black \u003cem\u003eKadappa\u003c\/em\u003e stone, pink \u003cem\u003eMakrana\u003c\/em\u003e marble, \u003cem\u003eKatni\u003c\/em\u003e stone, lapis lazuli, green jade, \u003cem\u003eGhazni\u003c\/em\u003e stone, grey \u003cem\u003eKota\u003c\/em\u003e stone, yellow jasper\u003c\/p\u003e\n\u003ch4\u003eDimensions (L × B × H)\u003c\/h4\u003e\n\u003cp\u003e105 × 105 × 145 mm\u003c\/p\u003e\n\u003ch4\u003eTotal pieces\u003c\/h4\u003e\n\u003cp\u003e1 wooden corner, 26 white and green stone triangles, 4 triangles in assorted colours for the days of the week, 6 red and yellow stone triangles for the months of the year\u003c\/p\u003e\n\u003ch4\u003eInstructions for use\u003c\/h4\u003e\n\u003cp\u003ePlace my triangular magnetic pieces onto my grid to build the numerals for the current date. Move the pieces around by hand as the days and months change.\u003c\/p\u003e\n\u003cp\u003eMy extra triangles are yours to play with. Arrange them into shapes on me, stack them beside me, or use them however you like.\u003c\/p\u003e\n\u003cp\u003eTurn me around to use my reverse side as a magnetic pinboard for notes, photographs and reminders.\u003c\/p\u003e","brand":"SHED","offers":[{"title":"Default Title","offer_id":50576418996386,"sku":null,"price":36000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/7474\/6530\/files\/digit-01.jpg?v=1791445602"},{"product_id":"taper","title":"Taper","description":"\u003cp\u003eI am called Taper, partly because I come to a point at both ends, and partly because a taper is a slow-burning thing.\u003c\/p\u003e\n\u003cp\u003eLook at me from above and there’s a box. It isn’t really there. It’s drawn in three lines of small stone triangles, set so the light and dark make edges where there are none. One incense stick rests across it, and that’s really all I need to do.\u003c\/p\u003e\n\u003ch4\u003eCreator’s Notes\u003c\/h4\u003e\n\u003cp\u003eWe liked that the word already meant two things: a shape, and something made to burn slowly.\u003c\/p\u003e\n\u003cp\u003eThe surface is stone marquetry. Each triangle is cut and set by hand, and the colours are placed deliberately so the pattern folds into depth, the way an optical illusion does. It’s our way of drawing a box with stone instead of a pencil.\u003c\/p\u003e\n\u003cp\u003eThe two outer stripes are angled and the central line is flat, so the ash falls and settles in the middle.\u003c\/p\u003e\n\u003ch4\u003eMaterials\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eColourway 1:\u003c\/strong\u003e white \u003cem\u003eMakrana\u003c\/em\u003e marble, beige \u003cem\u003eMakrana\u003c\/em\u003e marble, orange \u003cem\u003eMakrana\u003c\/em\u003e marble, coral pink \u003cem\u003eMakrana\u003c\/em\u003e marble, aluminium\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColourway 2:\u003c\/strong\u003e red \u003cem\u003eAgra\u003c\/em\u003e sandstone, pink \u003cem\u003eJodhpur\u003c\/em\u003e sandstone, beige sandstone, golden \u003cem\u003eKota\u003c\/em\u003e stone, brown \u003cem\u003eKota\u003c\/em\u003e stone, brown \u003cem\u003eDholpur\u003c\/em\u003e sandstone, aluminium\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColourway 3:\u003c\/strong\u003e grey \u003cem\u003eKota\u003c\/em\u003e stone, coral pink \u003cem\u003eMakrana\u003c\/em\u003e marble, lapis lazuli, black \u003cem\u003eKadappa\u003c\/em\u003e stone, aluminium\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColourway 4:\u003c\/strong\u003e red \u003cem\u003eAgra\u003c\/em\u003e sandstone, yellow \u003cem\u003eJaisalmer\u003c\/em\u003e sandstone, lapis lazuli, pink \u003cem\u003eJodhpur\u003c\/em\u003e sandstone, brown \u003cem\u003eDholpur\u003c\/em\u003e sandstone, aluminium\u003c\/p\u003e\n\u003ch4\u003eDimensions (L × B × H)\u003c\/h4\u003e\n\u003cp\u003e250 × 45 × 10 mm\u003c\/p\u003e\n\u003ch4\u003eInstructions for use\u003c\/h4\u003e\n\u003cp\u003ePlace an incense stick in my aluminium triangle, light it and let it burn. My angled edges guide the ash to the flat centre. Once the stick has burnt down, tip the ash out and wipe me with a soft, dry cloth. I’m ready for another one.\u003c\/p\u003e","brand":"SHED","offers":[{"title":"Colourway 1","offer_id":50576419324066,"sku":null,"price":18000.0,"currency_code":"INR","in_stock":true},{"title":"Colourway 2","offer_id":50580020101282,"sku":null,"price":18000.0,"currency_code":"INR","in_stock":true},{"title":"Colourway 3","offer_id":50580020134050,"sku":null,"price":18000.0,"currency_code":"INR","in_stock":true},{"title":"Colourway 4","offer_id":50580020166818,"sku":null,"price":18000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/7474\/6530\/files\/taper-01.jpg?v=1791445602"},{"product_id":"plot","title":"Plot","description":"\u003cp\u003eI am a tray with no fixed use. Rake the sand flat. Prop something in it. Draw a line to explain what you mean instead of saying it. Then flatten it and start again.\u003c\/p\u003e\n\u003ch4\u003eCreator’s Notes\u003c\/h4\u003e\n\u003cp\u003eOnce, at the studio, we built a full massing model of a piece of land in a pit of sand. There were no supports and no glue, and nothing needed to obey gravity. You prop something in, and it stands. This is that, at desk scale.\u003c\/p\u003e\n\u003cp\u003eThink of the gowlis drawn in rice in Jain derasars, the kolams redrawn at dawn, the rangolis laid out for celebration, the gravel raked in a Zen garden, or the painstaking sand mandalas of Tibetan tradition, made only to be wiped away. Plot belongs to that lineage. It’s an endless whiteboard, waiting for a messy scrawl or a careful, meticulous pattern. Every drawing is temporary.\u003c\/p\u003e\n\u003cp\u003eWe made the tray from paperclay: a recipe of recycled paper, \u003cem\u003emultani mitti\u003c\/em\u003e and hydrated lime, air-dried solid and then finished with \u003cem\u003eghutai\u003c\/em\u003e using an \u003cem\u003eakik patthar\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe rake heads are lost-wax cast in brass, in collaboration with a local jewellery craftsman, and each is mounted on a hand-sculpted wooden handle. A glass stylus is there to ‘write’. Two objects complete the composition: a brass sphere with an aluminium centre, and a stone block with an \u003cem\u003eaaraish\u003c\/em\u003e lime inlay.\u003c\/p\u003e\n\u003ch4\u003eMaterials\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eTray:\u003c\/strong\u003e paperclay, teakwood\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRakes:\u003c\/strong\u003e teakwood, \u003cem\u003eshisham\u003c\/em\u003e (Indian rosewood), purpleheart wood, cast brass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eObjects:\u003c\/strong\u003e borosilicate glass stylus, brass, aluminium; grey \u003cem\u003eKota\u003c\/em\u003e stone, yellow \u003cem\u003eJaisalmer\u003c\/em\u003e sandstone or brown \u003cem\u003eDholpur\u003c\/em\u003e sandstone with an \u003cem\u003eaaraish\u003c\/em\u003e inlay\u003c\/p\u003e\n\u003ch4\u003eDimensions (L × B × H)\u003c\/h4\u003e\n\u003cp\u003e185 × 185 × 35 mm (measured across flats)\u003c\/p\u003e\n\u003ch4\u003eTotal pieces\u003c\/h4\u003e\n\u003cp\u003e1 octagonal paperclay tray, 3 wooden rakes with brass heads, 1 glass stylus, 1 brass sphere, 1 stone block with \u003cem\u003eaaraish\u003c\/em\u003e lime inlay, 1 rosewood knob\u003c\/p\u003e\n\u003ch4\u003eInstructions for use\u003c\/h4\u003e\n\u003cp\u003eI don’t really have instructions. I’m here to be played with.\u003c\/p\u003e\n\u003cp\u003ePour the sand into the tray. Rake your heart away, prop up objects, draw marks, make patterns: do whatever you feel like. Ready to begin again? Rake it flat and start over.\u003c\/p\u003e\n\u003cp\u003eTo empty the sand, pull out the rosewood knob in the centre and pour the sand through the opening into a container for next time.\u003c\/p\u003e","brand":"SHED","offers":[{"title":"Default Title","offer_id":50576420667554,"sku":null,"price":24000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/7474\/6530\/files\/plot-01.jpg?v=1791445602"},{"product_id":"blocks","title":"Blocks","description":"\u003cp\u003eFour is all a building needs to get started. Stack me into a tower. Line me up into a row of shops. Turn one of me off-angle and I’m the house on the corner that never quite lined up with the rest. Take me apart and build again. Each cubby is a little room waiting for an inhabitant: trinkets, miniatures, stationery, sewing things, or anything worth keeping close. Some have pivot doors, while others leave everything out in the open. No floor plans. No fixed address. No right way to build me.\u003c\/p\u003e\n\u003ch4\u003eCreator’s Notes\u003c\/h4\u003e\n\u003cp\u003eWe made BLOCKS from the materials we love most: stone, glass and wood. It was a simple idea, but the making was intensive because everything had to be so small. The aluminium connectors were the part we fussed over longest, and they now give a satisfying click as two cubbies come together.\u003c\/p\u003e\n\u003cp\u003eWe wanted colour to enter our more intimate spaces in the shape of containers. BLOCKS is a place for the very, very small things that don’t usually have a home of their own.\u003c\/p\u003e\n\u003ch4\u003eMaterials\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eColourway 1:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBox 1: \u003cem\u003ehaldu\u003c\/em\u003e wood and \u003cem\u003ebadaami\u003c\/em\u003e wood\u003c\/p\u003e\n\u003cp\u003eBox 2: \u003cem\u003ebadaami\u003c\/em\u003e wood and \u003cem\u003eshisham\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBox 3: pink \u003cem\u003eJodhpur\u003c\/em\u003e sandstone and rose cast glass\u003c\/p\u003e\n\u003cp\u003eBox 4: yellow \u003cem\u003eJaisalmer\u003c\/em\u003e sandstone and yellow cast glass\u003c\/p\u003e\n\u003cp\u003eAluminium, SS grub screws, magnets\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColourway 2:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBox 1: white \u003cem\u003eMakrana\u003c\/em\u003e marble and grey cast glass\u003c\/p\u003e\n\u003cp\u003eBox 2: black \u003cem\u003eKadappa\u003c\/em\u003e stone and black cast glass\u003c\/p\u003e\n\u003cp\u003eBox 3: dark blue cast glass\u003c\/p\u003e\n\u003cp\u003eBox 4: grey cast glass\u003c\/p\u003e\n\u003cp\u003eAluminium, SS grub screws, magnets\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColourway 3:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBox 1: red cast glass\u003c\/p\u003e\n\u003cp\u003eBox 2: rose cast glass\u003c\/p\u003e\n\u003cp\u003eBox 3: yellow cast glass\u003c\/p\u003e\n\u003cp\u003eBox 4: grey cast glass\u003c\/p\u003e\n\u003cp\u003eAluminium, SS grub screws\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColourway 4:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBox 1: red cast glass\u003c\/p\u003e\n\u003cp\u003eBox 2: blue cast glass\u003c\/p\u003e\n\u003cp\u003eBox 3: yellow \u003cem\u003eJaisalmer\u003c\/em\u003e sandstone and yellow cast glass\u003c\/p\u003e\n\u003cp\u003eBox 4: green \u003cem\u003eKesariyaji\u003c\/em\u003e marble and green cast glass\u003c\/p\u003e\n\u003cp\u003eAluminium, SS grub screws, magnets\u003c\/p\u003e\n\u003ch4\u003eDimensions (L × B × H)\u003c\/h4\u003e\n\u003cp\u003e164 × 164 × 60 mm\u003c\/p\u003e\n\u003ch4\u003eTotal pieces\u003c\/h4\u003e\n\u003cp\u003e4 boxes, 1 aluminium tie\u003c\/p\u003e\n\u003ch4\u003eInstructions for use\u003c\/h4\u003e\n\u003cp\u003eI have connectors on all four sides, so you can join and arrange my blocks in all sorts of ways.\u003c\/p\u003e\n\u003cp\u003eDecide on your arrangement first, then connect and build. Keep one on its own, make a line, stack a square, build an L, or come up with something else entirely.\u003c\/p\u003e\n\u003cp\u003eWhen stacking, always use the aluminium tie provided. It slots into the connectors and gives the blocks a more stable base.\u003c\/p\u003e\n\u003cp\u003eThen fill the cubbies with your keepsakes.\u003c\/p\u003e","brand":"SHED","offers":[{"title":"Colourway 1","offer_id":50576421585058,"sku":null,"price":24000.0,"currency_code":"INR","in_stock":true},{"title":"Colourway 2","offer_id":50580019970210,"sku":null,"price":24000.0,"currency_code":"INR","in_stock":true},{"title":"Colourway 3","offer_id":50580020002978,"sku":null,"price":24000.0,"currency_code":"INR","in_stock":true},{"title":"Colourway 4","offer_id":50580020035746,"sku":null,"price":24000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/7474\/6530\/files\/blocks-01.jpg?v=1791445602"},{"product_id":"carrom","title":"Carrom","description":"\u003cp\u003eI am a carrom board.\u003c\/p\u003e\n\u003cp\u003eYou probably know what to do with me. We just changed what I’m made of.\u003c\/p\u003e\n\u003cp\u003eThe familiar geometry of the game becomes a composition of stone, wood and colour — triangles, squares, lines and little interruptions that only really make sense once you start playing.\u003c\/p\u003e\n\u003cp\u003eThe board is still a board, and the game is still the game. Everything around it has been reconsidered.\u003c\/p\u003e\n\u003ch4\u003eCreator’s Notes\u003c\/h4\u003e\n\u003cp\u003eWe started with something completely familiar: the carrom board. We didn’t redesign the game. Instead we looked at the visual language it already has, its geometry, markings, symmetry and pieces, and rebuilt those elements in SHED’s materials.\u003c\/p\u003e\n\u003cp\u003eThe board is stone marquetry, with each piece waterjet-cut and set by hand. We used several shades of the same colour side by side, light against dark, so the surface gains depth without any added ornament. The yellows are layered so they catch the light like gold. Greens shift from one tone to the next, and the blacks and blues sit close enough to read as one deep colour until you look again. It’s a pastiche of colours we love, expressed in stone with as few gestures as possible.\u003c\/p\u003e\n\u003cp\u003eCarrom boards are usually loud, opulent and full of personality. This one is stripped back on purpose, so it can sit just as easily in a living room, a studio or a corner that needs livening up as on a games table.\u003c\/p\u003e\n\u003ch4\u003eMaterials and parts\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eThe board\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBase in stone inlay for colourway 1:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhite \u003cem\u003eMakrana\u003c\/em\u003e marble, beige \u003cem\u003eMakrana\u003c\/em\u003e marble, light green \u003cem\u003eKesariyaji\u003c\/em\u003e marble, dark green \u003cem\u003eKesariyaji\u003c\/em\u003e marble, \u003cem\u003eGhazni\u003c\/em\u003e stone, red jasper, sodalite, black \u003cem\u003eKadappa\u003c\/em\u003e stone, yellow jasper, yellow agate, brass, aluminium\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBase in stone inlay for colourway 2:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrange \u003cem\u003eMakrana\u003c\/em\u003e marble, beige \u003cem\u003eMakrana\u003c\/em\u003e marble, white \u003cem\u003eMakrana\u003c\/em\u003e marble, light green \u003cem\u003eKesariyaji\u003c\/em\u003e marble, dark green \u003cem\u003eKesariyaji\u003c\/em\u003e marble, \u003cem\u003eGhazni\u003c\/em\u003e stone, red jasper, sodalite, black \u003cem\u003eKadappa\u003c\/em\u003e stone, yellow jasper, yellow agate, brass, aluminium\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBase in stone inlay for colourway 3:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGrey sandstone, black \u003cem\u003eKadappa\u003c\/em\u003e stone, light green \u003cem\u003eKesariyaji\u003c\/em\u003e marble, dark green \u003cem\u003eKesariyaji\u003c\/em\u003e marble, \u003cem\u003eGhazni\u003c\/em\u003e stone, red jasper, sodalite, yellow jasper, yellow agate, brass, aluminium\u003c\/p\u003e\n\u003cp\u003eWooden frame: \u003cem\u003eshisham\u003c\/em\u003e (Indian rosewood), teakwood, brass detail\u003c\/p\u003e\n\u003cp\u003ePockets: hand-knotted thin cotton rope, indigo-dyed and white\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCounter box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTeakwood, \u003cem\u003eshisham\u003c\/em\u003e (Indian rosewood), brass, indigo-dyed thin cotton rope\u003c\/p\u003e\n\u003cp\u003e10+1 counters in Indian rosewood, 10+1 in teakwood, 1 queen in purpleheart wood\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStriker box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTeakwood, \u003cem\u003eshisham\u003c\/em\u003e (Indian rosewood), brass, indigo-dyed thin cotton rope\u003c\/p\u003e\n\u003cp\u003e2 strikers with pigment fill\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowder box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTeakwood, \u003cem\u003eshisham\u003c\/em\u003e (Indian rosewood), brass, glass bottle with \u003cem\u003eaaraish\u003c\/em\u003e powder, indigo-dyed fabric \u003cem\u003epotli\u003c\/em\u003e to dispense powder\u003c\/p\u003e\n\u003ch4\u003eDimensions (L × B × H)\u003c\/h4\u003e\n\u003cp\u003eThe board: 856 × 856 × 70 mm\u003c\/p\u003e\n\u003cp\u003eThe counter box: 212 × 54 (dia) × 72 mm\u003c\/p\u003e\n\u003cp\u003eThe striker box: 104 × 104 × 50 mm\u003c\/p\u003e\n\u003cp\u003eThe powder box: 78 mm dia × 86 mm H\u003c\/p\u003e\n\u003ch4\u003eTotal pieces\u003c\/h4\u003e\n\u003cp\u003eThe board\u003c\/p\u003e\n\u003cp\u003eStriker box: 2 strikers\u003c\/p\u003e\n\u003cp\u003eCounter box: 21 counters + 2 extra counters\u003c\/p\u003e\n\u003cp\u003ePowder box: 1 fabric \u003cem\u003epotli\u003c\/em\u003e, 1 glass bottle with powder\u003c\/p\u003e\n\u003ch4\u003eInstructions for use\u003c\/h4\u003e\n\u003cp\u003eI play like a regular carrom board, with the same rules and setup.\u003c\/p\u003e\n\u003cp\u003eAdd a light, even layer of carrom powder if needed, though I already glide more smoothly than a wooden board. Arrange the counters in a circle at the centre, aim for the pockets, and flick the striker.\u003c\/p\u003e\n\u003cp\u003eWhen you’re done, collect the counters and striker, and wipe me gently with a soft, dry cloth.\u003c\/p\u003e","brand":"SHED","offers":[{"title":"Colourway 1","offer_id":50576423026850,"sku":null,"price":145000.0,"currency_code":"INR","in_stock":true},{"title":"Colourway 2","offer_id":50580020199586,"sku":null,"price":145000.0,"currency_code":"INR","in_stock":true},{"title":"Colourway 3","offer_id":50580020232354,"sku":null,"price":145000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/7474\/6530\/files\/carrom-01.jpg?v=1791445602"},{"product_id":"ganesha","title":"Ganesha","description":"\u003cp\u003eI am Ganesha.\u003c\/p\u003e\n\u003cp\u003eYou’ll find me reclining on my gaddi, with my little mouse close by. My rounded wooden form does the talking: just enough features to recognise me, and the rest is yours to imagine.\u003c\/p\u003e\n\u003ch4\u003eCreator’s Notes\u003c\/h4\u003e\n\u003cp\u003eWe wanted to think of Ganesha as a person first: someone whose story was told and retold until he became a god.\u003c\/p\u003e\n\u003cp\u003eHis body is turned in teakwood and \u003cem\u003eshisham\u003c\/em\u003e (Indian rosewood) on a precision lathe, and the parts are joined with brass rods. His \u003cem\u003egaddi\u003c\/em\u003e is a slab of cast glass on brass legs, with glass cushions.\u003c\/p\u003e\n\u003ch4\u003eMaterials\u003c\/h4\u003e\n\u003cp\u003eTeakwood, \u003cem\u003eshisham\u003c\/em\u003e (Indian rosewood), \u003cem\u003esevan\u003c\/em\u003e, blue glass, red glass, brass\u003c\/p\u003e\n\u003ch4\u003eDimensions (L × B × H)\u003c\/h4\u003e\n\u003cp\u003e160 × 100 × 130 mm\u003c\/p\u003e\n\u003ch4\u003eTotal pieces\u003c\/h4\u003e\n\u003cp\u003e1\u003c\/p\u003e\n\u003ch4\u003eInstructions for use\u003c\/h4\u003e\n\u003cp\u003eThere aren’t any. Place me wherever you like.\u003c\/p\u003e","brand":"SHED","offers":[{"title":"Default Title","offer_id":50576424927394,"sku":null,"price":27001.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/7474\/6530\/files\/ganesha-01.jpg?v=1791445602"},{"product_id":"shagun","title":"Shagun","description":"\u003cp\u003eWe’re Shagun, and we might look a little familiar. In India, every new beginning arrives with something sweet: a box at the door, a laddoo at the altar, a piece of katli pressed into your hand for luck. We’re those sweets, made to stay a little longer. Katli, mithai roll and laddoo each hold a little oil or ghee and a cotton wick, or a single flower. Ghughara opens up to keep kumkum or gud. Modak has a surprise inside: lift it and it rings like a tiny temple bell. The sweetness stays. Only the occasion changes.\u003c\/p\u003e\n\u003ch4\u003eCreator’s Notes\u003c\/h4\u003e\n\u003cp\u003eWe wanted mithai to carry ceremony, and to keep it for longer: a set of sweets that comes out again at every griha pravesh, wedding, first Diwali and first day.\u003c\/p\u003e\n\u003cp\u003eEach piece began as a master, carved in wood and refined by hand until the proportions felt right. From these masters the pieces are cast again and again in brass, copper and aluminium, then mirror-buffed and coated to shine. Each casting keeps a little of its own texture, so no two are exactly alike.\u003c\/p\u003e\n\u003ch4\u003eMaterials\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eKatli\u003c\/em\u003e and \u003cem\u003emodak\u003c\/em\u003e:\u003c\/strong\u003e cast brass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMithai\u003c\/em\u003e roll:\u003c\/strong\u003e cast copper\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLaddoo\u003c\/em\u003e and \u003cem\u003eghughara\u003c\/em\u003e:\u003c\/strong\u003e cast aluminium\u003c\/p\u003e\n\u003ch4\u003eDimensions (L × B × H)\u003c\/h4\u003e\n\u003cp\u003eKatli: 73 × 40 × 15 mm\u003c\/p\u003e\n\u003cp\u003eModak: 55 mm dia × 70 mm H\u003c\/p\u003e\n\u003cp\u003eMithai roll: 70 × 25 × 25 mm\u003c\/p\u003e\n\u003cp\u003eLaddoo: 60 mm dia × 45 mm H\u003c\/p\u003e\n\u003cp\u003eGhughara: 100 × 60 × 40 mm\u003c\/p\u003e\n\u003ch4\u003eTotal pieces\u003c\/h4\u003e\n\u003cp\u003e5\u003c\/p\u003e\n\u003ch4\u003eInstructions for use\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKatli, mithai roll and laddoo:\u003c\/strong\u003e Fill me with oil or ghee, place a cotton wick in my centre and light me. I can also hold a flower or two.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModak:\u003c\/strong\u003e Lift me to ring the small brass piece suspended inside. I’m a little temple bell disguised as a sweet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGhughara:\u003c\/strong\u003e Pivot open my top and fill me with kumkum or gud.\u003c\/p\u003e","brand":"SHED","offers":[{"title":"Default Title","offer_id":50576425844898,"sku":null,"price":20001.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0566\/7474\/6530\/files\/shagun-01.jpg?v=1791445602"}],"url":"https:\/\/outoftheshed.shop\/collections\/all-products.oembed","provider":"SHED","version":"1.0","type":"link"}